Setting sketch - science fiction


How to Build a Time Machine
It seems like a science fiction setting would be easy to write because you pretty much just get to make a bunch of shit up—as a matter of fact, sci-fi and fantasy often get mushed together since they both incorporate a lot of made-up shitness. That's part of the charm. You get transported to a whole new world, a new way of seeing things, new people and new problems. The ultimate escape fiction.

DuneBut good science fiction is more difficult to create than you might think. Whereas fantasy seems to be backwards-looking, science fiction tends to be forward-looking, so it's a little harder to find reliable research material. To make it even more complicated, I prefer what is called hard sci-fi. This is science fiction that is backed up by fact and theory and focuses on technical detail. These books are usually written by people like Michael Crichton, Isaac Asimov or Arthur C. Clarke. Instead of writing that the sun exploded suddenly and without warning, a hard sci-fi story might discuss the details leading up to the explosion, the particles that were released—or better yet, created—during the explosion and the effect it might have on any landscape or living tissue that survived the initial blast. Some are so detail intensive that by the time you're done with the book, you feel like you've earned an honorary physics degree.
Breaking the Time Barrier

A sci-fi setting can be another planet, a dystopic or utopic Earth, a laboratory or a plain old regular city. But wherever you decide to set your story, it should be convincing.While I was researching A Scribble in the Margins, I read books like How to Build a Time Machine by Paul Davies and Breaking the Time Barrier by Jenny Randles, among others. I also read a book discussing the probability that the water in the oceans came from comets, but I don't remember the name of that book, or why I felt like it would be appropriate research for A Scribble, which had nothing to do with oceans whatsoever. I researched TBI and spinal cord injuries, spent a lot of time creeping on the rooftops of Los Angeles via Google Earth. I looked up restaurant menus, visited the physics department of one university and collaborated with the physics department head at another university. I taped forty colored note cards to my wall and created timelines and character sketches. I drew my main character's apartment so I could keep track of her as she tried to move her sister around. I even traveled to London to find another character's apartment—a character I later deleted. Now that's dedication. Okay, for really real, I was in London anyway, but walked around until I found a place that looked like where my character would live and then I took a picture of it like a creepy person. Later, in an interview with a guy from London, he told me that she would in no way live there so I moved her to a different neighborhood.

I am Legend
The point is that even though the story is set on Earth in contemporary times, I still had to do a lot of research to make it seem convincing. Nothing cheeses me off more than cop-out settings—stuff that doesn't really make sense, where it's obvious the author has only made a half-hearted effort. The only exception is C.S. Lewis' Space Trilogy, which is so much less popular than The Chronicles of Narnia, that you've probably never heard of it before. The books are Out of the Silent Planet, Perelandra and That Hideous Strength, set on Mars, Venus and Earth respectively. I'm a Lewis fan and I loved these books, but it's obvious he hadn't an inkling about space travel.   

The Martian ChroniclesOn the flip side, there are those authors who go into waaaaaay too much detail about their new and obviously much-loved worlds. Those types of books are annoying too, because unless the whole history of your planet is exactly relevant to what is happening in the story, then it's called backstory. It's to help guide your writing, and it doesn't need to be spelled out for us, thank you very much.

That being said, there are too many good sci-fi worlds to list as great examples, but I'll try anyway. Some of my favorite sci-fi books, movies and TV shows (in no particular order) are as follows:
  • Star Trek
  • Firefly/Serenity
  • Primer 
  • Fringe
  • Dune
  • FlashForward
  • 1984 
  • Battlestar Galactica
  • 12 Monkeys 
  • Looper
  • The Hitchhiker's Guide to the Galaxy
  • Donnie Darko
  • Farscape
  • Planet of the Apes
  • The Andromeda Strain
  • Fahrenheit 451
  • Sliders
  • The Matrix
  • Contact
  • Quantum Leap
  • Dr. Who
  • Back to the Future
  • Bladerunner
  • E.T.
  • A Wrinkle in Time
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Character sketch - the comic relief

Spike
Spike
Laughter is as important for good health as exercise. And if you laugh hard enough, you can count it as an ab workout. After my divorce, I watched Whose Line is it Anyway as much as I could right before bed, which allowed me to guffaw instead of cry myself to sleep. I did this while I was on the phone with a friend who was watching with me. Her laughter and my laughter combined on a molecular level to help send me off the sleep in a state of comic euphoria. Oh the Wayne Brady-flavored dreams I had....

Fool
Fool
Even if you're not reading or watching a full-blown comedy, many stories offer a comic relief character to give readers or watchers a break from the building tension. Not every story has a comic relief character, but when it does, and when it's done well, the character can help move the story along, showcase and/or challenge the main character and sometimes they even steal the show. But good comic relief is hard to come by. My favorite comic relief characters in books, movies and TV shows are not the stumbling bumbling idiots who fart, fall down and/or hit people in the nuts.(Yes, I realize I've already used up my and/or quota for the week.) They are usually more clever than that. A shining example is Spike, from Buffy the Vampire Slayer, who starts out as the antagonist/comic relief:

Merry and Pippin
Merry and Pippin
"I know I'm not the first choice for heroics, and Buffy's tried to kill me more than once. And I don't fancy a single one of you at all. But... Actually, all that sounds pretty convincing. I wonder if Asian House is open..."

—moved to being the love interest/comic relief—

"Buffy, Buffy, Buffy! Everywhere I turn, she's there. That nasty little face, that bouncing, shampoo-commercial hair."
—and then to being the sidekick/comic relief in Angel, even after he double-died—

"Say no more. Evil is still afoot. And I'm almost out of that nancy-boy hair-gel I like so much. Quickly, to the Angel-mobile, away!"

I chose to showcase Spike because he's got some of the best lines, but it's the delivery that really seals it. On the page, this delivery has to be illustrated by the character's mannerisms and the reactions of the characters around him or her. How do I know how to do that? Well,  I watch clever TV shows and movies as research and I have real-life comic relief friends, so I just observe their delivery and my reactions to them. They not only see the humor in almost anything, but they help awaken my slumbering comedian and contribute to some of the most enjoyable ab workouts I've ever experienced.
Walter Bishop
Walter Bishop

Truly, it's hard to choose my favorites in this category, not because there aren't a lot of funny characters, because being funny doesn't necessarily make you comic relief. I've already deleted several names off my list for not falling into the category correctly, but I've wracked my brain for long enough. I'm sure I'm missing some great comic relief characters. Feel free to add any of your own suggestions.

Dr. McCoy
Dr. Leonard "Bones" McCoy
Some of my favorite comic relief characters are:
  • Sir John Falstaff
    • “Hal, if I tell thee a lie, spit in my face, call me horse.” 
  • Spike from Buffy/Angel
    • "Aren't you a throw-himself-to-the-lions sort of sap these days. Well, the lions are on to you, baby."
  • Flip in Bellwether by Connie Willis
    • "You don't know what swarb means? No hots. No cutes. Cyber-ugg. Swarb."
  • Walter Bishop from Fringe:
    • "The turbulence over Ohio was like being in the belly of a seizing whale. I screamed like a little girl."
  • Merry and Pippin from The Lord of the Rings
    • Merry: "Don't know why he's so upset. It was only a couple o' carrots."
    • Pippin: "And some cabbages. And those three bags of potatoes that we lifted last week. And - and then the mushrooms the week before!"
    • Merry: "Yes Pippin! My point is, he's clearly over reactin'!"
    • Pippin: "Run!"
  • Dr. Leonard "Bones" McCoy from Star Trek
    • "I've found that evil usually triumphs...unless good is very, very careful."
  • Keanu Reeves in most movies he's in, but not on purpose
    • "Whoa."
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